SKU: 91083280437
pitch bend pedal

pitch bend pedal Gamechanger Audio Bigsby Polyphonic Pitch-Shifter Guitar Effect Pedal — Truetone Music

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Description

pitch bend pedal Gamechanger Audio Bigsby Polyphonic Pitch-Shifter Guitar Effect Pedal — Truetone MusicThe BIGSBY Pedal is a revolutionary polyphonic pitch shifter pedal that is able to reproduce the string bending and vibrato effects produced by the BIGSBY Tremolo arm and other traditional tremolo systems. Powered by the formidable SHARC Audio Processor, the BIGSBY Pedal runs a hybrid algorithm specifically developed by Gamechanger Audio to achieve smooth polyphonic real time pitch shifting at low intervals. It has been painstakingly tweaked to

The BIGSBY Pedal is a revolutionary polyphonic pitch shifter pedal that is able to reproduce the string bending and vibrato effects produced by the BIGSBY Tremolo arm and other traditional tremolo systems.

Powered by the formidable SHARC® Audio Processor, the BIGSBY Pedal runs a hybrid algorithm specifically developed by Gamechanger Audio to achieve smooth polyphonic real-time pitch-shifting at low intervals. It has been painstakingly tweaked to preserve the natural timbre and sound of electric and acoustic string instruments, including baritone and bass guitars, guitars, mandolins, banjos, etc.

The unique spring-loaded foot-pedal design makes it possible to incorporate pitch-shifting into your playing in new and creative ways. The BIGSBY pedal is always “on” – the only thing you need to do to activate it is to step on the foot-pedal. The algorithm ensures that transitions between the DRY and WET (pitched) signals are as smooth as possible, allowing you to seamlessly incorporate pitch-bends into complex picking patterns as well as lead and melodic lines. This opens the door to a world of new strumming patterns, bend combinations and beautiful lap-steel and slide-inspired licks that cannot be achieved with traditional tremolo systems.

Another key component of the BIGSBY Pedal’s sound is the DETUNE parameter, another carefully crafted algorithm that is designed to emulate the imperfections and dissonant properties of traditional mechanical string-bending hardware. As a result, the vibrato effects produced by the BIGSBY Pedal are almost indistinguishable from those of a conventional tremolo arm.

The BIGSBY Pedal combines the tremolo arm pitch-bend emulation with a unique set of features and modes that can take this pedal much further than simple pitch bend.
The AUTO mode enables an LFO that controls the pitch while the foot-pedal controls the depth.

The BLEND control allows for dynamic chorus and harmonizer sounds.
The external footswitch input makes it possible to use the pedal in latching mode for typical pitch-shifter, octave, detune and chorus functionalities.
The expression output gives the pedal control over other audio gear, either in conjunction with or separately from pitch-shifting.
Full MIDI CC and PC control over all parameters, preset recalling, and clock syncing.

FEATURES / BULLET POINTS
Polyphonic pitch shifting and a reproduction of the BIGSBY tremolo arm string-bending and vibrato effects.
A spring-loaded rocking foot-pedal for upwards and downwards pitch-bending movements.

High-quality buffered bypass and seamless transitions into and out of bypass.
Multi-fuction LED-lit knobs. LED color and intensity are indicators of the selected parameters and values.

AUTO mode, with an LFO controlling the pitch-bend rate and the foot-pedal controlling pitch bend depth.
Up to 12 semitone pitch-shifts in both directions. The pitch-bend range can be set separately for both directions.
Foot-pedal and pitch-shift direction invert switch.

BLEND control for mixing in the DRY signal to achieve harmonizer or chorus sounds.

DETUNE control for emulating the tuning instability of hardware tremolo systems.

Full MIDI PC and CC control over all parameters and extended functionality. A 3.5 mm

TRS to 5 pin DIN MIDI adapter is included.

10 user preset slots accessible via MIDI PC.

Expression output for controlling other gear with the spring-loaded dual-direction foot-pedal, with adjustable expression depth and center position offset controls.
Latching mode is accessible via an external footswitch. The BIGSBY Pedal is compatible with both momentary- and toggle-type footswitches with a TS ¼ inch jack.

A “KNOB LOCK” option to prevent accidental parameter adjustment during performances.

Powered by a standard 9V DC center negative power supply with at least 500 mA.

Power supply is not included.

TECHNICAL SPECIFICATIONS

Connector type In: 1/4” Unbalanced TS
Input impedance: 1 MΩ
Max input level: 9 dBu
Connector type Out: 1/4” Unbalanced TS
Output impedance: 100 Ω
Max output level: 9 dBu
Connector type Exp: 1/4” Unbalanced TRS (Exp out) / 1/4” Unbalanced TS (FSW in)
Input impedance (ring): 100 kΩ
Output impedance (tip): 220 Ω
Max input level: 20 dBu
Max output level: 20 dBu
Connector MIDI: 3.5 mm TRS (mini jack), Type-B
Type: Optically isolated input, RF filtered
Frequency response: 20 Hz to 20 kHz (±1 dB)
Signal to noise ratio: 90 dB (A weighted)
Operating temperature: 0º to 50º C
Connector type power supply: 9V DC, center negative 2.1 x 5.5 mm plug
Input voltage: 9V DC
Input current: 220 mA
Power consumption: 2 W
Dimensions (LxWxH): 220 x 110 x 86 mm / 8,6 x 4.3 x 3.3 in
Weight: 960 g / 2.11 lbs

SKU: GCABG

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SKU: 91083280437

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4.1 ★★★★★
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Product Reviews
C
Verified Purchase
CG
Natrona Heights, US
★★★★★ 5
Best book on the subject
Format: Paperback
Short yet concise argument for ending wars.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 31, 2022
H
Verified Purchase
harel charnis
Battle Creek, US
★★★★★ 5
A must learn
Format: Paperback
Too important to be forgitten
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
J
John Matlock
Draper, US
★★★★★ 5
It's How Wars End That Become Important Afterward
Format: Paperback
The twentiety century taught us a lot about wars and how they end. World War I showed us that making strong demands on the defeated (who didn't admit defeat to their own people) set the stage for the next big war. World War II was fought until the Unconditional Surrender of the Germans and Japanese. Something that thinkers still debate as having made them fight all that harder. VietNam was fought with no clear end in sight, and "another VietNam" entered our language. The first Gulf War was ended when Colin Powell and Bush II debated how to end the war. They stopped before they had to go in and see what the Sunni's, Shiite's and Kurds made of the power vacuum left by the removal of Saddam would have created. Bush II is learning about this now. This is the second revised edition of this book, originally published in 1971 and then updated in 1991 and now 2005 to reflect happenings in new wars. Still some of the old wars had interesting insights that I didn't know before, such as how Finland, originally on Germany's side against Russia, made a peace with Russia and kicked the Germans out before they became a Russian province. Great Book.
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Reviewed in the United States on April 6, 2005
C
César González Rouco
Fort Morgan, US
★★★★★ 3
Complementary readings
Format: Paperback
There are already three good reviews so I will only suggest reading the following books instead of, or in addition to, this peculiar work: a) "War in human civilization" by Azar Gat; b) "War before Civilization. The Myth of the Peaceful Savage", by Lawrence Keeley; c) "How War Began" by Keith F. Otterbein; d) "War and Peace and War: The Rise and Fall of Empires" by Peter Turchin; and e) "War and the Law of Nations: A General History" by Stephen Neff.
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Reviewed in the United States on August 8, 2009
B
bjcefola
Boise, US
★★★★★ 5
Excellent short-book analysis
Format: Paperback
This short book is an outstanding analysis of how nations end wars, or accept peace. Ikle shows how governments often prefer obviously self-destructive courses rather then compromise peace terms. The problem is most acute when factional interests dominate strategy rather then a rational unitary interest. In such a circumstance, factions that benefit from continuing the war will accuse those pursuing peace of treason. Sadly, there is no equivalent derogatory word in English for those who pursue war to the detriment of their country. The book was first written in 1971, and most of the examples are from the two world wars. The work is still extremely relevant, and at 130 pages it's well worth the time. Highly recommended as a first book to read on ending war.
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Reviewed in the United States on May 4, 2007

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